Spectre. Rated M (action
violence). 148 minutes. Directed by Sam Mendes. Screenplay by John Logan, Neal
Purvis, Robert Wade and Jez Butterworth.
For this twenty-fourth film about Ian Fleming’s illusive Secret Agent 007, Mendes (Skyfall, American Beauty) and his writers (with Butterworth making his 007 debut having penned the gripping Black Mass), deliver yet another spectacular feat of cinematic endurance.
James Bond (Daniel Craig) is in Mexico City on unofficial business to assassinate Marco Sciarra (Alessandro Cremona), a terrorist who plans to detonate a massive bomb in the middle of the crowded city. When he souvenirs Sciarra’s ring, engraved with an octopus, Bond discovers that he worked for an organisation known as Spectre – a group responsible for a series of devastating terrorist attacks, planned to ensure the world’s most powerful governments buy-in to ‘Nine Eyes’, the global surveillance network Spectre has created.
When Bond learns from MI6 rogue agent Mr White (Jesper Christensen) that his daughter Madeleine Swann (Léa Seydoux) can lead him to Ernst Blofeld (Christoph Waltz), the mastermind behind Spectre, Bond teams up with the, at first, reluctant Swann to bring the organisation down.
Spectre is, in every sense, a massive undertaking – and having landed in Mexico City for the annual Día de Muertos (Day of the Dead) festivities, the epic scale of what lies ahead for our hero becomes crystal clear. Mexico City, London, the Austrian Alps, Rome and Morocco provide the astonishing array of locations, with the moody nature and purpose of each one captured brilliantly by cinematographer Hoyte Van Hoytema (Interstellar).
Craig returns in superb form, powering through the grand adventure in a role he has now definitively made his own. Within the outstanding ensemble, Seydoux (Mission: Impossible – Ghost Protocol) is perfect as the cool Madeleine, while Waltz (Inglourious Basterds, Django Unchained, Water for Elephants) brings the sinister Blofeld to life in a performance of the purest evil.
This review was commissioned by the West Australian Newspaper Group.
For this twenty-fourth film about Ian Fleming’s illusive Secret Agent 007, Mendes (Skyfall, American Beauty) and his writers (with Butterworth making his 007 debut having penned the gripping Black Mass), deliver yet another spectacular feat of cinematic endurance.
James Bond (Daniel Craig) is in Mexico City on unofficial business to assassinate Marco Sciarra (Alessandro Cremona), a terrorist who plans to detonate a massive bomb in the middle of the crowded city. When he souvenirs Sciarra’s ring, engraved with an octopus, Bond discovers that he worked for an organisation known as Spectre – a group responsible for a series of devastating terrorist attacks, planned to ensure the world’s most powerful governments buy-in to ‘Nine Eyes’, the global surveillance network Spectre has created.
When Bond learns from MI6 rogue agent Mr White (Jesper Christensen) that his daughter Madeleine Swann (Léa Seydoux) can lead him to Ernst Blofeld (Christoph Waltz), the mastermind behind Spectre, Bond teams up with the, at first, reluctant Swann to bring the organisation down.
Spectre is, in every sense, a massive undertaking – and having landed in Mexico City for the annual Día de Muertos (Day of the Dead) festivities, the epic scale of what lies ahead for our hero becomes crystal clear. Mexico City, London, the Austrian Alps, Rome and Morocco provide the astonishing array of locations, with the moody nature and purpose of each one captured brilliantly by cinematographer Hoyte Van Hoytema (Interstellar).
Craig returns in superb form, powering through the grand adventure in a role he has now definitively made his own. Within the outstanding ensemble, Seydoux (Mission: Impossible – Ghost Protocol) is perfect as the cool Madeleine, while Waltz (Inglourious Basterds, Django Unchained, Water for Elephants) brings the sinister Blofeld to life in a performance of the purest evil.
This review was commissioned by the West Australian Newspaper Group.
