The Expendables 3.
Rated M (action violence and coarse language). 126 minutes. Directed by Patrick
Hughes. Screenplay by Sylvester Stallone, Creighton Rothenberger and Katrin
Benedikt.
Verdict: Chaos
reigns as the Kings of Cinema shoot lots of people.
You have to hand
it to Sylvester Stallone. That The Expendables works at all is due not only to
his monumental onscreen presence, but his ability to gather all his mates
together into one of the largest ensembles in recent memory. And what a cast it
is.
The spectacular
opening sequence (there’s always one in an Expendables movie) sees Barney
(Stallone) and the team freeing Doctor Death (Wesley Snipes) from a train that
is delivering him to a high-tech prison. The team needs the good Doctor’s help
intercepting a shipment of weapons being sent to arms trader Conrad Stonebanks
(Mel Gibson) in Somalia. When the operation goes pear-shaped, Barney retires the
old team members and recruits a new, more agile and technologically savvy gang.
The fatal flaw in
the concept lies in the casting of Mel Gibson, who is spectacular. Plagued with
all sorts of public relations disasters in his private life, Gibson burns up
the screen from start to finish. When you add Harrison Ford (who replaces Bruce
Willis) and the indefatigable Arnold Schwarzenegger to the mix, the young’uns
(including Kellan Lutz who is currently starring as Hercules) are at a distinct
disadvantage.
Australian-born
Hughes and cinematographer Peter Menzies Jr are on their way to becoming a
formidable duo behind the camera, but the chronic over editing (Sean Albertson
and Paul Harb) suggests that this is not the break-through they might have
hoped for. There are some magnificent close-ups of Stallone, Gibson and Ford
(whose faces reveal years of cinema history), but the bulk of this
disappointing outing for the Kings of Cinema is just migraine-inducing,
blood-lusty chaos.
This review was
commissioned by the West Australian Newspaper Group.
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