Hercules. Rated M
(violence, blood and infrequent coarse language). 98 minutes. Directed by Brett
Ratner. Screenplay by Ryan Condal and Evan Spiliotopoulos. Based on Radical
Comics’ Hercules by Steve Moore.
Verdict: Radical
Comics make a stupidly entertaining entry into big screen Comic Book universe.
There is more than
one way to skin a lion, it would seem, as Radical Comics (after a piece of
Marvel’s box office pie) make their high-impact entry into the world of big
screen adaptations. And if this entertaining piece of big budget schlock is
anything to go by, they are a welcome addition to the fold – if only for
entirely different reasons. Hercules is a message- and moral-free zone,
existing for one reason only, which is to entertain.
Ratner (X-Men: The
Last Stand) somehow manages channel the great Mel Brooks, Monty Python and his
own peculiar taste for unhinged cinematic pandemonium into an irreverent sprint
through the Hercules (Dwayne Johnson) fable. Johnson, who is re-writing the
book of what you need to possess in order to have a lucrative acting career, is
fantastic as Hercules. The camera cannot get enough of him, and he obliges with
all kinds of face-pulling and posturing, while also handling the comedy and the
high drama in thunderingly good form like the supremely entertaining showman he
really is.
Veterans Ian
McShane (as the weary ‘Seer’ Amphiaraus) and John Hurt (as the vengeful Lord
Cotys) bring presence and entertainment value to the show in equal measure,
with McShane working all the best laughs to his absolute advantage as he
expects to die courtesy of a flaming arrow at any moment.
As our hero and
his cohorts trample all over the place killing everyone and everything that
gets in their way, it becomes impossible not to simply marvel at how
wonderfully silly it all is. Silly, entertaining, and done and dusted in half
the time. Marvellous.
This review was
commissioned by the West Australian Newspaper Group.
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