Riddick.
Rated MA15+ (strong violence and coarse language). 118 minutes. Written and
directed by David Twohy.
Verdict:
Vin Diesel’s loveable rogue Riddick stars in this entertaining deep space
outing.
Beginning
with Pitch Black (2000) and followed by The Chronicles of Riddick (2004), this
third instalment in the series of films about wanted criminal Richard B Riddick
(Vin Diesel) is an invigorating, entertaining and, at times, fantastically
inventive affair.
If
there is a distinct disadvantage in not having seen the first two films (a
character from Pitch Black is referenced extensively), there is still much to
enjoy about Twohy’s (the first two films and the chilling A Perfect Getaway)
determination to expertly and efficiently mine the sci-fi/wild west-inspired
world he has created.
Abandoned
on a desolate planet, Riddick activates an emergency beacon in the hope that a passing
spaceship will rescue him from the planet’s hostile predators. Two spaceships
eventually arrive, but onboard are bounty hunters determined to capture Riddick
and take his head back to the powers that be ‘in a box’. While our
ever-resourceful anti-hero sets out to turn the tables on his foes, the
planet’s ferocious alien creatures threaten to exterminate them all.
Riddick
works successfully on many levels, but mostly courtesy of David Eggby’s (Pitch
Black, Mad Max) moody and atmospheric cinematography, and some excellent
creature action – especially the amphibious scorpion-like predators that star
in much of the film’s early action set pieces, only to make an unforgettable return
later.
The
excellent supporting cast of marauding hunters features an impressive turn from
ex-Sydney-based Rugby League footballer Matt Nable as Boss Johns (the father of
Pitch Black’s villain William) who leads one group of bounty hunters, and Jordi MollĂ as Santana, the
unpredictable leader of the opposing group.
Ultimately
though, it’s impossible to ignore Vin Diesel’s mutually reciprocal love affair
with the camera. While you are either a Vin Diesel fan or you’re not, it is
clear he has a genuine affinity with the titular character, and brings him to
life with gravel-voiced flair and marvellously under-stated humour.
This review was commissioned by the West Australian Newspaper Group.
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