The Croods. Rated PG (mild themes). 98 minutes. Written
and directed by Kirk De Micco and Chris Sanders.
Verdict: A visually dazzling adventure about the importance
of learning from one another.
While live action
filmmakers are often preoccupied with futuristic worlds riddled with explosive
conflict and war-mongering, animators have been equally preoccupied with the
distant past. From The Flinstones
(1960–1966) to the Ice Age
films (2002–2012), there is something liberating about imagining pre-historic
possibilities – perhaps that the imperative for the results to be as
‘life-like’ as possible is eliminated. What we get instead, are pure flights of
fantasy and imagination – hallmarks of the great, animated adventures of recent
times.
Continuing this delightful
trend is first-time production designer Christophe Lautrette, who has created
stunning pre-historic environments and creatures that will more often than not
have you gasping with delight. With a seemingly limitless colour palette and an
invigorating sense of the absurd, Lautrette’s world for The Croods is utterly captivating.
Beautifully supporting all
the spectacular visual creativity on display is Sanders (How to Train Your Dragon) and De Micco’s multi-faceted,
intelligent story about fear, trust and generational change. The result is a
smart and entertaining film that refuses to patronise its younger audience
members, while also managing not to rely on smut or innuendo for the adults
that will go along to accompany them.
Nicholas Cage is perfect as
the voice of caveman Grug, whose sole responsibility is to keep his family safe
from harm – life-threatening danger that, as we witness in the spectacular
hunting sequence that opens the film, is ever-present. Grug’s only choice is
keep his family safely locked up in a cave, but when his rebellious daughter
Eep (voiced by Emma Stone) escapes from the cave and meets the fire-wielding
caveboy Guy (Ryan Reynolds), a chain of cataclysmic events is triggered that
will bring the Croods face-to-face with the possibility of extinction.
With their physical world
constantly collapsing around them, the invention and resourcefulness required
to ensure they find a safe new home creates some wonderful opportunities for
grand adventures. In the hands of these superb filmmakers, every one of those
opportunities is brilliantly realised, resulting in a marvellously told story
about risk-taking and just how important it can be that we listen to, learn
from, and respect each other.
This review was
commissioned by the Geraldton Newspaper Group.
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