The Twilight Saga: Breaking Dawn – Part 2. Rated M (supernatural themes, violence and sex scene). 115 minutes. Directed by Bill Condon. Screenplay by Melissa Rosenberg. Based on the novel Breaking Dawn by Stephenie Meyer.
Verdict: The final vampire slap-down is undeniably worth
the wait.
Just like The Lord of
the Rings and Harry Potter, and in what seems like light-years away, Star
Wars, there is something immensely
satisfying about a series of films reaching their conclusion. In recent years
it has become almost synonymous with the ‘business’ of movie making – that
every chance to reap more megabucks at the box office should be matched by
wandering sagas that, like The Twilight Saga: Breaking Dawn – Part 1, take 117 minutes to say what could have been said
in a third of the time. Or less.
The decision to make the
final instalment of Meyer’s best-selling The Twilight Saga series of books into two films was met with a good
deal of cynicism by many, while fans of the series were equally delighted to
discover that there was going to be yet another opportunity to share in the
company of their heroes and heroines on their journey through immortality. And
the only question that remains to be answered is was it worth it?
With Bella (Kristen
Stewart) and Edward’s (Robert Pattinson) daughter Renesmee (the effervescent
Mackenzie Foy) growing at a rapid rate, centuries-old conflicts resurface when
the Volturi are mistakenly informed that Edward and Bella have broken vampire
law by giving birth to a human child who has then been transformed into a
vampire as a result of being bitten. The Cullen clan, with the help of ‘Uncle’
Jacob (Taylor Lautner) must race against time to gather witnesses to prove to
the Volturi that Renesmee was, in fact, born half mortal and half immortal and
therefore represents no danger to their vampire legacy.
Condon (Gods and
Monsters, Kinsey, Dreamgirls, The Twilight Saga: Breaking Dawn – Part 1) and cinematographer Guillermo Navarro (Breaking
Dawn Part 1, Pan’s Labyrinth, Hellboy) work wonders with the now-familiar environments – and the opening
sequences of Bella relishing in her new-found vampire powers are fantastically
shot, while also serving to add a delightful layer of much-needed humour to
Rosenberg’s water-treading screenplay.
But the climactic
slap-down between the opposing clans that concludes the saga was only ever
going to be this particular film’s talking point. Everything leads up to it –
and it is undeniably worth the wait. More violent than we’re used to at home
with the Cullens, the scope and breadth of the confrontation is almost
Shakespearian and is delivered to the screen with immense skill from everyone
involved – with editor Virginia Katz ramping up and maintaining the tension
throughout the breath-draining battle for survival of the prettiest.
This review was commissioned by the Geraldton Newspaper Group.
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