Sunday, September 16, 2012

Film Review: Madagascar 3: Europe's Most Wanted


Madagascar 3: Europe's Most Wanted. Rated PG (mild violence and crude humour). 93 minutes. Directed by Eric Darnell, Tom McGrath and Conrad Vernon. Screenplay by Eric Darnell and Noah Baumbach.

Verdict: The Madagascar team are back in an inspired film that recalls the ground-breaking work of the animation master Walt Disney.

Beginning with Madagascar (2005) and a sequel Madagascar: Escape 2 Africa (2008), this successful franchise has followed the lives of four animals – Alex the Lion (Ben Stiller), Marty the Zebra (Chris Rock), Melman the Giraffe (David Schwimmer) and Gloria the Hippo (Jada Pinkett Smith). Having been shipwrecked on the island of Madagascar, many miles away from their home in New York’s Central Park Zoo, the series focuses on their attempts to return to the familiarity of their relatively comfortable home.

In this latest instalment, our adventurers find themselves in Monte Carlo where they hope their clever penguin friends will fly them back to New York. As one attempt to flee Monte Carlo after another fails disastrously, the gang catch a ride on a circus train with Monaco’s fierce and determined Animal Control Officer Chantel DuBois (Frances McDormand) in fearless pursuit. When they discover that the circus is washed-up, Alex leads the team in a plan to revitalise it in the hope that an American talent scout will offer them a contract and get them safely home.

Darnell and McGrath (who have written and directed the previous two films) are joined at the helm of this film by Vernon (Shrek 2), while Darnell’s collaboration with Baumbach (Fantastic Mr Fox) on the screenplay inspires the film’s extraordinary flights into surreal and supremely imaginative visual environments that appear to know no boundaries. From the Dali-infused prologue to the wonderfully spirited finale in the skies high above New York, Madagascar 3 is an inspired and often astonishing piece of magnificently lit, animated art from the series' production designer Kendal Cronkhite. 

While younger members of the audience will be giddy but glued to screen (courtesy of the film’s almost perfectly sustained breath-taking pace), there are also some witty and sophisticated gems scattered throughout the film that will ensure audiences of all ages are having a thoroughly entertaining time of it all.

This review was commissioned by the Geraldton Newspaper Group.

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